So, before the holiday party, Blaine took me aside in his office and closed the door, which I knew meant that we were going to talk about the restructuring of my role in the office.
"You've heard we're going to be getting a lot of work?" he said.
"Yea," I said. "Mosh already talked to me about it. He said I'll be better integrated with the Wireless team, so I'll be reporting to Piper."
Blaine went on to say how great I was, how much work we were going to get (double what we did last year), and said, "Anyway, I'll get right to the good news. Usually, at year end, if all goes well, we get 3% pay increases, but I did some haggling with corporate, and they're pushing your salary up 4.5%."
I suppose I was supposed to look really surprised and grateful. I was calculating what 4.5% of my base salary was. I'm not great at math, but I'm not totally incompetent, either. It wasn't a great raise, so far as I was concerned. It meant another couple hundred dollars a month, which makes the Glasgow trip in August more feasible, but it wasn't on par with what him and Mosh had been talking about regarding the sort of role I'm going to be playing in the company.
"Nobody knows how to do what you do," Blaine went on (he's very, very good at flattery, which is why everyone likes him and why he's been moved into Business Development. He's like a big happy puppydog. You just can't dislike him). "You're going to be asked to take on a *lot* more responsibility, and you'll need to learn how to replicate yourself."
"Mosh said he'd be interested in hiring on some temps I can supervise," I said, "because if we're doing twice what we did last year..." I was working nine or ten hour days and doing some weekend time and fielding work to the accountant and the secretary, and we still barely pulled it all off.
He intends to give me a shitload more responsibility, a staff, and a 4.5% raise that won't even allow me to be able to afford a car, let alone a cellphone? (the lack of staff with cellphones in our office is one of our biggest jokes).
"I tried to get Mosh and Piper to understand what a great resource they're getting," he said.
"Don't worry," I said. "I intend to sit down with Piper next week and impress upon him exactly what I can do. All they need to do is put something in front of me, and I can do it." I've been bitching to Blaine all year about what an under-utlized resource I am.
I think it was during his speech about how he was trying to convince Mosh & co. how great I was that I realized Mosh and Piper just don't get what I can do, hence the 4.5% raise. They think they're getting an admin, not a Project Support Manager with a Master's degree.
Ah. Of course.
4.5% my ass.
At meeting's end, Blaine still seemed troubled at my lack of enthusiasm. I wanted to stomp around and throw things. 4.5% raise my ass! I want to hop up a position pay scale. Lowly admin my ass! Freakin' fucktards!
But really, it wasn't so much worth it to bitch to Blaine. I was going to have to convince my new supervisors that I'm worth a 10K pay raise, not an extra $200 a month.
I'm going to have to really wow these fuckers.
And insist on proper compensation.
4.5% my ass.

Saturday, December 18, 2004
Movin' On Up
Friday, December 17, 2004
When Was the Last Time I Was Drunk at 4 o'clock in the Afternoon?
College, I think.
In any case, we had our office Christmas luncheon today, and I ended up getting one of the lead architect's beers because he'd gotten an extra manhatten, and then I just sort of threw my whole, "I should only have two beers cause it's an office Xmas party" thing out the window, and four or five beers later, everyone became terribly funny.
I purposely sat at the dorky kids table - I'm consistently amazed that even though I've gotten older, there's still a "cool kids" table and a "dorky kids" table - mainly because I didn't want to sit at the same table as Yellow, who was looking really fucking hot even though he's gained some weight in the month or so since I last saw him in the office. In fact, I spent much of the luncheon pretending I wasn't totally checking out Yellow the whole damn time.
Arg! Damn me and my "I can't do casual sex" thing. I've seriously got to reform. If I can't do relationships, I better figure out casual sex, cause casual sex sounds oh-so-great, especially during the holidays.
But I missed my chance with Yellow a long time ago by not responding to his persistent adolescent-like jibes about my granola hippie-dom, and I realize exactly why I shrugged off his friendliness and continue to sit at different tables than he is and ignoring him unless he says "hi" first - cause I'm attracted to him, but we have nothing in common. He doesn't read books! What the hell am I gonna talk to somebody about when he doesn't read books!
OK, yea, he rides motorcycles, I mean, races them, pseudo-professionally, and there's nothing hotter than a guy with a passion, and I've had daydreams about riding motorcycles in Rome with Yellow, but long term? Realistically? He'd rather be attached at the hip to a tall, thin, blond. I'm tall, but I don't fit the bill for the rest. So, basically, we'd both be "settling" and maybe getting some damn fine sex out of the deal.
Dammit, what's wrong with that?? Damn my aversion to casual sex! I must fix this! Must overcome!
Spent the afternoon getting increasingly drunk along with everyone else (still am, and looking forward to breaking open the red wine here at the house) and talking about the stupid forwarded e-mail from Health & Safety about holiday pounds with the guys, who thought it was equally as condescending and stupid.
"The hell," the lead architect said, "do they think we're fourteen or something?"
This was followed by another martini.
We had some grab bag fun, and I traded the aromatherapy kit I'd pulled for a table fountain that one of the architects got. I also got one of the "door" raffle prizes, which was one of the many misc. food products sent to Blaine by well-meaning contractors. I won the brownies that I'd been eyeing in the refrigerator for the last three days. Unfortunatley, such things cannot live in my house, and I'll end up eating one and throwing the rest of the box away.
So sad, to be an acknowledged binge eater who just can't have such things in the house.
Arg.
Was dropped off at the train station by the HR manager, and managed to stumble home, still drunk, and bumble around the house. All of the clocks are blinking and have to be reset, so I guess the landlady's been doing some work. She changed the back door lock, and left a message on the machine about where she'd left the new key.
Ha ha I thought, I could give a shit.
I thought about how hot Yellow looked.
Oh, man, I hate the holidays.
I'm going to get another drink and watch THX 1138.
I Hate These Things
CNN tells us how many calories the "average" man and woman should be consuming over the holidays. It's so great that they're so inclusive!:
First, some basics. Health experts say women and older adults should eat about 1,600 calories a day. Children and men should add 400 calories to that, while teenage boys and very active men get to eat a total of 2,800.
Uh... what about very active women?
Ah, yes, that's right. There's no such thing as active women. They spend their days knitting and rocking the baby's cradle with thier idle feet.
This shit is just so much filler.
The Wives of Stepford
Yea.
I put off watching this movie as long as possible. When I saw they were making a remake of "The Stepford Wives" that was supposed to be funny, I thought "backlash." But Jenn had seen it, and kept wanting my opinion on it, so I gave in.
The original Stepford Wives is fucking creepy. Really, really, creepy. As far as I'm concerned, The Stepford Wives should be in the horror section of the movie store.
It's that fucking creepy.
The premise of the original was this: a successful, "liberated" woman goes into the suburbs and finds that all the women are "perfect" wives. They're always immaculately dressed, they cook and clean and don't talk back to their husbands. They're very, very creepy. The liberated woman figures out what's going on - the men have conspired to replace/reconfigure/change their wives so that they become, effectively, robots. They're no longer real people. The liberated woman, realizing what's going on, tries to flee, but her husband has hidden her children from her, so she's go herself trapped in Stepford. The last shot is the liberated woman dressed in properly feminine clothes, with a properly detached, brain-dead look on her face, moving dream-like through an immaculate supermarket in her high heels, moving serenely among the aisles with her fellow female automotons.
Trust me. It's creepy.
So, I went to watch the remake and tried to be open-minded. OK. They wanted it to be funny. Let's do funny.
Nicole Kidman is a power-hungry - and admirably good, in my opinion - executive who runs a television network. Her programming rests on shows where women are put into parodies of reality tv in which the women are stronger, more aggressive, and more sexually voracious than their male counterparts. The clips made me chuckle a bit, but really, they weren't all that different from what we're seeing now. Idiots giving themselves over to reality tv.
Now things get loopy. One of the reality shows was much like "Temptation Island," called, "I Can Do Better" in which a married couple is put on an island with a bunch of sexy people and encouraged to cheat. In the end, the man and woman need to decide if they want to stay with their spouse, or if lots of sex with hot people wins out over married love. In the clip, the man says he'd rather stay with his wife, and his days on the island with his personal prostitute were chaste ones. But the wife had sex with pretty much everyone on the island (including a couple of women), and decided that, in the end, she "could do better."
The thwarted husband, upset at his wife's decision, shoots at Kidman and then goes off and slaughters his wife and her lovers.
It's too much bad press for the network, so they fire Kidman, blaming her for inciting the thwarted husband to violence.
This was my first real, "Huh" moment.
So... man goes on murdering spree. It's the woman's fault.
This should have been my first clue that this was going to be a "blame the women" movie. Though for the life of me, I couldn't figure out how they could turn Stepford into a "blame the stupid women" movie. I lack imagination about just how much shit movie-makers are willing to spread over a movie in order to make their "vision" work.
Kidman has a nervous breakdown, and her really sweet husband, played by the very sweet Matthew Broderick comes to comfort her. It's obvious pretty quickly that they do have real affection for each other. He's "only" a VP at the network, but he gives it up so they can go away to the country and she can recover from her nervous breakdown.
So, it's not like Broderick doesn't have a job or something. He's a VP, OK? Which means he's likely got a good education, and he's a sweetheart of a guy, the kind of guy you totally marry, cause he loves you, and you adore him. It's not like he doesn't have a life, or that she crushes him under her heel, or is cruel and evil to him, or anything like that. They do genuinely seem to like each other for being each other.
The couple and their kids relocate to the gated community of Stepford, which is full of beautiful, terribly thin, twittering women in big floppy hats with perfect hair and absolutely obesceince to the whims of their very obviously dorky, out-of-shape, but overall nice-seeming husbands. The sorts of "good guys" that strong women end up with, you know?
Now, things get slightly weirder. For some reason that I can't figure out, the remake decided to put a gay couple in Stepford.
Yea. And they were accepted into Stepford (though the fact that everybody's white was brought up pretty early - gays are OK but not blacks? Huh?). It was weird. It went against everything Stepford stood for - that old-school fundamentalist Christian everybody's in these certain boxes thinking. But, hell, I was like, OK, let's see what they do with this.
So Kidman meets the other two "newbie" couples in town, a frumpy, successful writer played by Bette Midler, and the more flamboyent guy in the guy couple, played by Roger Bart, who was supposed to be a famous architect or something. The three of them become fast friends, and share stories about how weird everybody is in Stepford.
Now comes one of the best scenes in the movie, which got crapped on. The three of them go over the Midler's house - which is a filthy mess (she doesn't cook or clean - when her husband asks why, she says, "Why don't you?") - and they have this bit of dialogue about how they're all on anti-depressents, or compulsive eaters, and talk about how incredibly unhappy they are, even though they're so successful, and Kidman says, let's try and make this Stepford thing work. Let's try and be happy without all the drugs.
And I was thinking, "Cool. They're going to talk about how to find happiness without drugs, or turning into a robot. Maybe they'll talk about the fact that society is telling these people they're freaks, which is what makes them unhappy, and they'll learn to accept who they are. This'll be great."
Unfortunately, that wasn't the movie I was watching.
Kidman begins baking cupcakes obsessively. She and Broderick have a really sweet talk about how much they like each other. Roger gets robotofied, and turns into a butch gay man (he throws out his photo of Orlando Bloom [?]), which pleases his butch partner, and he runs for a Stepford political office.
Then Midler gets robotofied, and her house is suddenly clean, and she's become a slave to her husband and kids and is writing cookbooks instead of poetry.
Kidman tries to get out of town, but her kids have been stolen by the men's club, and then there's a confrontation between Kidman and the men of the men's club where she goes to try and find her kids, and they explain that they've put nano-chips into the brains of all the women to make them obey their husbands, and they've "pefected" them with some "enhancements" that make them all thin and blond, and now they're going to do it to her.
Once again, Kidman and Broderick confront each other, and I admit: I just didn't get it. I just couldn't understand Broderick wanting - *really* wanting - to change his wife into a robot. Who the hell did he think he married? Didn't he love the balls-busting woman? If that's not who he loved, why marry her? Why be married to what's basically a castrated version of the person you love? I mean, sure, maybe dump her and find somebody who's brainless to wait on you hand and foot, but giving somebody you love a lobotomy?
Broderick is just too good at playing a nice guy. Though I'm not crazy-attracted to him, I do have a lot of affection for this geeky guy, and I just couldn't understand this scene, when he tells her she's always been better at everything than he has, she's always been better at her job, at sex, at everything. And I was like, "Wasn't that what you liked about her? You want to eviserate the person you love?"
I was just really confused.
So, she basically says to him what I just said, and he appears to reject her tears, and she doesn't fight him at all, just goes down into the robot-hell to be robotofied.
Then we get what should have been the last shot of the movie, which was a frame-by-frame reshoot of the supermarket scene from the end of the original Stepford Wives, and Kidman is wearing froofy clothes and a floppy hat and has this really long blong hair, and I was watching it expecting this to be it, and thinking, "What a waste of time that movie was," and then.... it kept going.
It got worse.
Broderick takes the apparently robotofied Kidman to a Stepford party, then slips away while she distracts the guy in charge, and goes down to the robot-hell-center and deactivates all of the nanochip programs inside all the women, and the women all snap out of their reveries, and become pissed off at their husbands, and Broderick returns, the conquering hero, and Kidman reveals that she's been herself all along (I'm not sure how she was supposed to have grown out her hair so fast, but hey), not really a robot, because Broderick became a Real Man at the last minute and chose not to robotofy his wife.
Gosh, it sure is lucky *he* decided that. I mean, heaven forbid she had any kind of agency in the matter (if she was really "better" at everything than he was, couldn't she have fought him off in the robot-center, when it was just the two of them? Oh well).
And then we have the Big Reveal.
When Kidman hits the leader of the Stepford robot program over the head, the guy's head pops off.
Turns out he was a robot.
His wife, played by Glen Close, wasn't robotofied.
*She* had made her husband into a robot, and got that robot to convince all the other men to put chips in the heads of all of their wives.
Close gives a big evil-doer speech at the end to explain her motives. She killed her husband when he had an affair with her research assistant, and then rebuilt him as a robot so that everything would be "perfect," and she created Stepford so that all men would love their wives and everyone would be perfect. Or, at least, her version of The Way Things Should Be. Which is an interesting idea, I guess: a woman decides to change *the women* so that the men will love them.
Once again, the problem's not the men, or men's idea of women, but the problem is that *women need to be fixed in order to be loved.* Kind of sad, actually.
It's concluded that she's just a fucking nutcase. She kisses the robot head of her decapitated husband, is electrocuted, and dies.
Picture me staring in utter confusion at my television screen.
The final scene is Kidman, Midler, and Roger - all back to their usual-looking and acting selves (though Kidman's hair has remained blond. Huh) - having a discussion with Larry King about how great and successful their lives are. No, they say, they aren't perfect lives, but they're great.
When asked what happened to the men in Stepford, Midler laughs and says they're "Under House Arrest" and our final shot is of that supermarket again, this time with the whipped men wandering around the supermarket aimlessly. A female voice over the intercom snaps, "Stop talking and get back to shopping!"
The men mill around some more.
THE END.
Seriously. The End.
Picture me sitting through most of the credits, still looking really confused.
What the fuck was that?
What am I supposed to take away from this movie? That good men will always love their wives and not turn them into robots, but women will punish bad men by making them shop?
And what about that cool scene where the threesome is talking about all the drugs they're on? Are they successful again but still on drugs? Why didn't they make a statement about the pressures they feel to be perfect being alleviated or at least put into perspective? Or was the whole experience just something to profit from, as it got them on Larry King?
And what the fuck was up with having a gay guy get "turned butch" but still be gay? In Stepford? Gay people shouldn't exist in Stepford, any more than women who have personalities. The whole idea is to parody the fundamentalist Christian "moral America" as, in fact, a sort of deep, sizzling hell where nobody's a real person, where the strong have to impose their beliefs about what's "perfect" on the weak.
This was just like... it was like somebody said, "Let's make The Stepford Wives funny!" and the only way they could figure out to make it *really* funny was to make it all actually the idea of a thwarted woman.
Cause ha ha look at how funny those stupid women are, making themselves so stupid.
It just ended up looking like an entire movie that was stupid and ill-thought out.
My Roomate is a Sneaky Bitch - & Other Heart-Warming Holiday Tales
I left work early yesterday and milled around Borders for a crappy gift-exchange gift for our office Christmas lunch today. I find these gift-exchange Secret Santa things kinda crappy. Basically, everybody goes out and finds some really crappy junk gifts and passes them around, and you open them, smile nicely, and then promptly go home and shuck them into the garbage can.
I promptly fulfilled my capitalist duty to buy shit nobody wants for somebody I don't particularly care about and went home only to find that my sneaky roommate - who'd flow out to the West Coast for the holidays - had left me two very well-packaged Christmas gifts.
Have I budgeted in Christmas gifts for anyone this year? No. Arg.
Being my lovely roommate and good friend, she'd gotten me the Kameron equivalent of really good porn - an Osprey book on the Peloponnesian War (I literally swoon over this series of books at the bookstore. They're just too damn expensive to properly stock up on), and The Art of Memory, a book that studies how people are and were able to retain vast stores of knowledge by memory.
I'm such an easy person to buy gifts for. Just tie a ribbon around a book. Any book. If it's about war, so much the better.
Then I spent the night eating Thai food and watching movies. Because that's what I do when my writing isn't going well, I have no money, and I've got the house to myself.
I was watching Rocky III (I saw all of these when I was a kid, but they're so much more interesting now that I have some conception of just how hard you have to work to fight like this) and thinking how much I hated the holidays and wished they were over already.
This was a really bizarre twist for me. I've traditionally really loved the holidays. There's always some angst about going home, but I love the Christmas trees and stockings and music and little twinkly lights and crappy gift buying. But this year I just want it to be January. No more holiday schedule at the MA school, no more trips to interfere with my routine. No more...
Advice columns trying to make me feel pathetic. Ah, yes, thanks for that MSN advice column unmasking, Amanda.
Gosh, why do so many single women feel bad around the holidays? Gosh, could it be because everybody tells us we should feel bad and unsexy?
What bugs me the most is that it's not just the single who get harped on. If you've got a boyfriend, everybody spends the holidays talking about how you should get married, if you're married, everybody asks when you're having kids. And let's not forget that there's a lot of pressure on guys about this stuff, too. I have a friend who was dreading going home for the holidays because he knew his parents were going to start harping on him again about why he and his girlfriend of 9 years still aren't married. Give up the ghost, guys.
I've always suspected that people are really so interested in the social lives of others because they want validation for their own life choices. *Please* have a boyfriend. *Please* get married. *Please* have kids, and a mortgage, and a two-car garage. Please validate my choices by making the same ones.
Without all this pressure to conform to the picket-fence ideal, what sort of society would we have? Would we be happier with the lives we've chosen, if we weren't always comparing them to some mythical ideal created by other people, instead of the ideal we thought up? That always interests me.
Cause there I was, watching movies, thinking, OK, this is it. I'll start dating in May. I'll do it. Really, I will. No! Squash those sudden feelings of intense anxiety. No! Forget that you feel a panic attack coming at the mere idea of subjecting yourself to date after sorry date with 1) boring people I don't like 2) people I like who think I'm boring 3) people I like who like me who want to come in and stomp all over my life.
That just sounds like a swell time.
So, deep breath. Will. Not. Give. In. To. Social. Dating. Pressure.
Must live the life I want. If I bump into somebody along the way that I like who likes me, so much the better. If not, that's why I have good friends, for company. But you know what, I want to be able to take off to New York for the weekend, or fly to Colorado for rock-climbing lessons for the weekend, or take a week-long rafting trip on the Snake River. And those are just the weekend trips that don't include bike riding in China, hiking up to Macchu Piccu, and taking that tour of the Greek Islands. I have about a bazillion things to do, and I'm not getting any younger. I want that kind of freedom, and in my experience, welding myself to another person means less freedom, not more. It would take an amazing person to live that kind of life with me, and I'm not fooling myself into thinking those people live around every corner.
It always makes me curious, what sorts of people I'll end up surrounding myself with in my dotage.
And you know, whenever I start to get the holiday blues, I remember all the friends I have who lust after my life. The ones who go "You went to grad school *where*? You spent *how* long in Alaska? You want to do *what* for a living? You live in *Chicago* now?" And then they look at their own perfectly good and happy lives and think, "Oh, God, what's *wrong* with me?"
The grass is always greener, isn't it?
Thursday, December 16, 2004
And... Here's Leguin's Proper Response to Earthsea's Whitewash
Titled, appropriately, "Earthsea in Clorox," or A Whitewashed Earthsea: How the Sci Fi Channel Wrecked My Books.
snip:
I had just seen Mr Halmi's miniseries Dreamkeeper with its stunning Native American cast, so I said to them in a phone conversation, hey, maybe Mr Halmi will cast some of those great actors in Earthsea! -- Oh, no, I was told -- Mr Halmi had found those people impossible to work with.
"Well," I said, "you do realise that almost everybody in Earthsea is 'those people,' or anyhow not white?"
I don't remember what their answer to that was -- it may have used that wonderful weasel word "colorblind" -- but it wasn't reassuring, because I do remember saying to my husband, oh, gee, I bet they're going to have a honky Ged.
Ah. How right she was.
They then sent me several versions of the script -- and told me that shooting had already begun. In other words, I had been absolutely cut out of the process.
I withdrew my offered pronunciation guide (so Ogion, which rhymes with bogy-on, is "Oh-jee-on" in the film.) Having looked over the script, I realised they had no understanding of what the two books are about, and no interest in finding out. All they intended was to use the name Earthsea, and some of the scenes from the books, in a generic MacMagic movie with a meaningless plot based on sex and violence. (And "faith" -- according to Mr Halmi. Faith in what? Who knows? Who cares?)
Larry Landsman, who looks after the book end of things at Sci Fi and has been very kind, sent me an early CD of the film, so I saw it some weeks before it was aired.
There was nothing I could do about it at that point, and I said nothing negative in public. It seemed mean-spirited to bash the thing it before other people had a chance to see it. Anyhow, what's the use whining? Take the money and run, as whoever it is said. Someday, somebody would make a real Earthsea movie. . .
Any volunteers?
And here's why this matters:
I think it is possible that some readers never even notice what color the people in the story are. Don't notice, don't care. Whites of course have the privilege of not caring, of being "colorblind." Nobody else does.
I have heard, not often, but very memorably, from colored readers who told me that the Earthsea books were the only books in the genre that they felt included in -- and how much this meant to them, particularly as adolescents, who'd found nothing to read in fantasy and sf except the adventures of white people in a white world. Those letters have been a tremendous reward and true joy to me.
But Aren't You Worried You Won't Grow Up to Be a Real Girl?
Here's an interview with Hilary Swank, who trained four and a half hours a day, six days a week, for three months to get into boxing shape for "Million Dollar Baby" - the latest troubled-woman-boxer-will-kick-your-ass-movie.
What bugs me about these interviews of ass-kicking heroines is this need the interviewer feels to remind the audience that it's so sad that these women aren't looked at as more "feminine" (if you want to hear a woman snap back at an interviewer about this bullshit, check out some Michelle Rodriguez interviews). There's lots of questions about what her husband thinks, and how her training affected her husband's view of her (instead of asking, you know, how the training affected her view of herself, her confidence, etc), cause lord knows all us women are supposed to be living for that Idealized Feminine Form that men are always talking about (see previous post that bitches about just this).
Apparently, some dipnut (casting director Felicia Fasano) said of Hilary (who's mostly played untraditional female roles) that she needed to "embrace her inner supermodel" and start taking on more traditional feminine accourtrements.
Hilary's response:
"I follow my gut because in the end that's all you have. I shied away from playing just 'the girl' roles because I didn't find them inspiring," she added. "I wanted to be taken seriously. I wanted to be challenged. I wanted to push myself to the limit. I wanted to -- I want to -- do all that. That's where my passion lies, and it's not just playing the arm candy."
I think my response would have been a little less diplomatic. I think it would have come out something like:
"Fuck you, you fucktard."
Take Out All the Black People, & God. It'll Make it Less Controversial
So, Earthsea's got a token black guy in a world that's supposed to have a token white chick.
Oh well.
And now we have Pullman's work getting savaged, too. For fear of wingnuts.
Wingnuts. All twelve of them.
What the fuck is genre fiction supposed to be all about? Why write this crap, when it's just gonna get whitewashed and hacked up into regurgitated putty? What's the point?
God is cut from film of Dark Materials
By Sam Coates
THE Hollywood adaptation of Philip Pullman’s trilogy His Dark Materials, in which two children do battle with an evil, all-powerful church, is being rewritten to remove anti-religious overtones.
Chris Weitz, the director, has horrified fans by announcing that references to the church are likely to be banished in his film. Meanwhile the “Authority”, the weak God figure, will become “any arbitrary establishment that curtails the freedom of the individual”.
Like a Church that says having same-sex attractions, having sex outside of marriage, or reading certain books is EVIL?
Why I'm Not A Woman
Sometimes, I'm just sad.
Cristina translated a piece by Mircea Cărtărescu from Romanian to English called "A Few Reasons Why We Love Women," and then she posted her own response, "A Few Reasons Why We Love Men."
Now, before I start, please know this about me: I did find some of this very sweet. I'm a hopeless romantic. But when I read it, I looked at it again as a litany of all of the things I'm not, of all of things I'm supposed to be, and I came up lacking. This always happens when images of female beauty and "what being female is" are plopped in front of me by (usually male) writers, editors, designers, etc. Not that men don't get this too, but it's the reason written pieces like this bug me. It tells me what somebody wishes me to be. Something I'm not.
And Cristina did express worry that feminists would take it the wrong way:
Reading it as a Romanian, I was amused and nostalgic, and caught myself smiling wisely to myself several times. Then I couldn't help but wonder, could this be written in English, now? Or would it attract irate replies and burrowing frowns from aggravated feminist intellectuals all over the US?... I believe that the spirit of Cartarescu's text is not to be misconstrued as some patriarchal political statement, but rather as the quirky, tender voice of the writer-as-man. And as such, it's endearing and funny.
And yet, despite the swooning in the comments over at Cristina's place, I found the idea of dating a guy who thought these things really uncomfortable. What would happen when he woke up? When he realized I was just a person?
What I found interesting about both versions was the idealization of each gender, the emphasis on separateness, on difference, and the glorification of the "other." A lot of romance, and putting people on pedastels, is built around language like this.
I'm a little weird when it comes to sexual relationships, I've discovered. I tend to look for egalitarian, buddy-buddy relationships. Instead, a lot of guys I deal with look to make me into a child or a mother, when all I really want to do is hang out with somebody funny and interesting and respectful who treats me like a real person, not an idealized "other." I think that idealization is dangerous, particularly when you're with a guy who finally gives up the ghost and realizes you're a real person. Bad things can happen.
And I worry when I read about the reasons women are loved, and find that none of those reasons describe me.
I wonder what that makes me.
Which is exactly the sort of doubt the romance myths look to inspire.
I want to make new stories.
General Update - Here's What's Happening
So, my roomie is outta here for the holidays (not that it'll be all that different around the house - she and her SO have been connected at the hip for the last two weeks, so I haven't seen much of her. They're terribly cute), which means I'm going to be watching a lot of movies this weekend, so you'll likely be getting lots of me-pissed-off-at-movies posts in the near future. I'm also planning on sitting down and writing up a rant about Anne Bishop's Black Jewels trilogy. Apologies to Anne in advance if she ever gets here through Google. It ain't gonna be pretty. I intend to bitch (I. Can't. Believe. I. Read. This. Book.).
It's also Holiday Blues time again, so I'll be doing some more how-did-this-year-go speculation/roundups (to remind myself that no, really, I've done OK this year), including favorite books and movies of the year, with commentary. And I'll also be speculating about what I've got to work on this year. My list is extraordinary: aim for the stars so you can hit the moon.
I'll be heading out on Wednesday to WA state for a nice, relaxing holiday in the sticks. I'm looking forward to silent nights (the only sound that of cows and coyotes - not a train to be heard for miles and miles), long dreary jogging routes, and hopefully a day trip to the beach. Blogging will be sporadic from the 23rd-29th, as my parents' place has a dial-up modem and only one working computer (my brother's mad machine).
If anyone wants to chat outside the comments, you can reach me at my usual "public" address: kameron_hurley AT hotmail.com - for those back in WA, I'll be sending you all let's-do-lunch invites soon. Hope to see you!
Health & Safety... Remember the Fat!
This morning I was forwarded an "all users" message from our health & safety department.
Was this a reminder about wearing a hard hat on construction sites, or properly lifting boxes by using your legs so you don't throw out your back? A lesson in ergonomics? Or perhaps it was just the usual holiday reminder to "drive safely" or "don't drink and drive and be safe" and all that?
No.
Oh, no no.
This year's Health & Safety information was about avoiding those holiday pounds!
Seriously!
Now, OK, they give sensible advice, and it's good advice for those of us who have traditionally spent most of the holidays binge eating (this is the first year I'm packing my jogging clothes with me for my week of home-for-the-holidays. I figure I can jog my brother's route), but you know... it says a hell of a lot about today's America when the Health & Safety department of a bazillion dollar international company finds it neccessary to remind everyone to watch what they eat over the holidays.
Unfortunatley, the only bit I can include here without violating my confidentiality agreement is the part they took from an ivillage article:
Drinking one beer every night adds 1,036 additional calories per week or 15 pounds to your stomach per year. No wonder they call it a beer belly. Three glasses of dry wine a week adds 318 calories, or an additional three miles on the treadmill just to walk off the extra calories. If you're watching your weight, try this advice:
· Don't drink alcohol on a regular basis.
· Remember that the calories from alcohol add up quickly, and they go straight to the fat in your abdomen.
· Most people eat high calorie snacks when they drink alcohol, a double whammy in terms of weight gain.
Yum. Beer! I think I still have four bottles of Negra Modelo - my beer of choice - over at my parents' place: Thanksgiving leftovers.
And you better bet I'm drinking beer at Christmas. Calories or no.
I think my worry about all this concern about food and calories is that it makes people obsessive about it. You start not being able to think about anything else. Your whole day revolves around what you're "allowed" to have... and now the workplace is getting on board.
I have such incredible mixed feelings because, honestly, I'd rather we had a fruit tray as the morning office treat instead of two dozen donuts, and I prefer whole wheat chicken wraps to pizza (yea... they brought in chicken wraps yesterday. I was pleasantly surprised), but.... but... I worry. I worry that we're all going to become food Nazis.
And I don't know how ethical it is to start telling people what they can and can't eat. The future of where all this Fear of Fat is going really worries me.
Wednesday, December 15, 2004
A Day at the Movies
How about a show of hands from everyone who gives a shit that Alien's Ripley would be played by a 55-year-old woman?
Anyone?
Apparently, Hollywood's concerned about it. Um. Hello? Sigourney Weaver, dude, ass-kicking heroine extraordinaire. Not only do I not care if she *is* 55, I'd appreciate it if she *looked* 55 and went around kicking everybody's asses. Male actors do it all the time (Harrison Ford, Sean Connery, etc.). Get over it. I think she should start dating some 20-year-old hottie, just to make a point.
And, though my initial reaction to the idea of Hilary Swank playing a boxer was "eh" - I've seen enough stellar reviews of the latest gritty-female-boxer movie that I'm just going to have to go out and see it, if only so I can argue afterwards about how much cooler Michelle Rodriguez was in Girlfight.
Cheer Up Your Work Day!
Ah. Here's a neat-o gallery of my favorite work-day inspirational posters:
More at despair.com
And Now They're Just Sitting Around, TALKING
There's something immensely satisfying about finding a successful author who finds their characters sitting around doing the same sorts of frustrating things that mine do, instead of furthering the plot:
Dave McKean phoned me up today. I got unexpectedly testy when he commented on a couple of scenes in Mirrormask that were just two people talking, and on the problem of getting those scenes to have some kind of narrative drive. The reason I got testy was, as I eventually explained to him, because I've spent a day fighting with an uncooperative novel and every scene I wrote kept turning into two people having a conversation, and it was driving me nuts. It wasn't even that they were sitting around having interesting conversations. They were telling each other things the reader had already seen occur, and I felt powerless to stop them...
"You're not allowed to do that any more," said Dave. "Something else has to happen."
- Neil Gaiman's blog
It gives me hope.
Geek Girls
"Any female[...] has had to work ten times as hard as her male
counterpart to be accepted in their organization. She will be
more able, will react quicker, and will generally be much more
dangerous. Kill her first." -- Starr, "One Man's War," Preacher
That's the best quote ever.
A great article on Geeky girls as portrayed in comics, with some thoughts on Buffy. (via Alas, A Blog)
Bickering (again) About Women in Combat
Rox Populi points to this article about recommendations for the deployment of mixed-sex units alongside all-male units in the US military:
The Nov. 29 briefing to senior Army officers at the Pentagon, presented as part of the service's sweeping transformation of its 10 war-fighting divisions, advocates scrapping the military's ban on collocation — the deployment of mixed-sex noncombat units alongside all-male combat brigades....
So, basically, we're not talking about a huge change here, just another scaling back. The mixed-sex units are still "technically" non-combat, but they'll be deployed *alongside* all-male combat units. What this means is that there's a significantly greater chance that these mixed-sex units will see combat. In reality, women are seeing lots of combat in Iraq. It's a guerilla war. You can drive a truck and fire at and be fired upon. So it's just a technicality. It's just fudging with the language so that it makes it *look* like women aren't fighting and dying, at least, not at "the front."
Whatever the hell the "front" is in a guerilla war.
The debate's roots go back to 1994. [Brutal Woman note: oh, bullshit. This has been debated FOREVER. Don't make it like this is something NEW UNDER THE SUN]. Impressed with the performance of military women in Operation Desert Storm, the Clinton administration lifted long-standing bans on women in combat aircraft and ships.
But the new policy clearly stated that a prohibition would continue for ground units that participate in direct combat. The 1994 policy also said women would not serve "where units and positions are doctrinally required to physically collocate and remain with direct ground combat units that are closed to women."
I usually yawn when I read all this noise, because women have always fought, have always known violence, and have even been buried with their swords. What made me guffaw was the silly reason the Pentagon's still giving for not putting women into land combat units right now:
The Pentagon has said it maintains the ban because upper-body strength is needed for land combat and because polls show most female soldiers do not want the policy changed.
What a load of horseshit.
You know they didn't even have physical tests of strength for firefighters until women started wanting to become firefighters? You know the "reason" that's often given for not promoting more women into management positions at movie theatres is that women "can't" carry 70 lbs worth of movie reels? (yes, that's the sound of me snickering in the background...)
Women aren't in combat units because war is what makes men men. Glory and sacrifice and male bonding and all that. In times of dire seriousness, when an entire people is really threatened, women have always stepped up. They formed all-female tank units in Russia, and guerilla movements have always relied on women for 10-20% of their combat forces (sometimes more, when all the men are wiped out - all those Greek stories about Amazons aren't so fantastic when you read about how many men get moblized and slaughtered during wars. Who do you think's left to protect hearth and home?). After the "dire seriousness" was over, women were told that actually, no, even though they may have fought in a war, really, they actually *couldn't* fight because they weren't strong enough. Yes, yes, just a little doublethink here, bear with us, we're men of SCIENCE.
It's not a matter of strength or ability: the real heart of it is how men and women will deal with being in combat situations together. There's a deep fear that all the women will "end up pregnant" (like they just rolled over and BAM! they were magically pregnant, like women reproduce via parthenogenesis - see the overseas "pregnant nurses" scare during WWII), and a fear that men will throw themselves in front of women in order to save them even more than they'll throw themselves in front of each other to save their buddies... Saving women being a natural masculine instinct, after all. I mean, when they aren't ordered to kill women.
So, anyway, why should anybody really care about any of this?
Well, remember when I said that mostly, historically, women have only been really seriously recruited in times of dire need?
The Times reported last week on an internal May 10 briefing that portrayed the Army as in a bind. The briefing states the Army does not have enough male soldiers to fill the FSCs if they were to collocate with combat brigades and thus required to be men-only.
Let's not get all clap-happy about egalitarianism in the military. It's not about recognizing that women are people too. It's the same old story: we don't have enough men. Time to bring the women in. Watch them scale back the "rules" again. Then, after they're done, watch them bring back the "women are really better suited to being home, barefoot and pregnant" argument when women aren't "needed" anymore. Notice they won't start publishing studies about how terrible war is for men, how men shouldn't sign up because they'll suffer from post-traumatic stress syndrome the rest of their lives and pick up a host of mental illnesses enroute from the war zone. No, no: war is good for men! And war is good for women.... so long as we need them there.
Anyway, lack of soldiery doesn't bode well for the US's interest in world domination.
I'm just saying.
Tuesday, December 14, 2004
Some Thoughts On People, With A Really Obvious Fantastical Genre Bias
Amanda's got some thoughts on the latest round of the "weak Y chromosome" story at NPR. And I've got some counter-thoughts.
I've heard people lamenting for awhile that the Y chromosome is "too small." Mostly, it's men who say this. I think this has something to do with the male preoccupation with size. Let's be honest: the Y chromosome doesn't need to be all that big. This is why I don't go in for the gloom and doom of the Y chromosome, though it does interest me in the fictional "what if" sense. But for now, the Y chromosome makes a female embryo male (yes, in addition to adding DNA to the mix, though never as much as the Xs carry, so really, getting rid of the Y would only take out the sex determiner and any mutations/traits specific to the Y). But really, all the Y actually has to do is determine sex and slap a few wild card genetics into the mix. Once it forms the male genitalia, the sex organs can take over and produce the testoserone that alters the XX template to an XY. Cut off the genitalia, and you'll get a tall, not-so-hairy-as-uncut-man man, likely with a little more fat and maybe some fat accumulations that look much like breasts in old age. The reason this happens is because the testicles produce the sex hormones that make men men. All the Y chromosome has to do is alter sex. The resulting organs take over and do the rest. The template is female.
So the Y won't go away until we get some mutations in the XX that teach the egg to divide on its own X amount of days after ovulation, or release two eggs that have to merge their genetic material in order to begin cell division. And that would be really inconvenient. Not because there wouldn't be any penises in the world, but because we'd have to think up new and different means of contraception. And it would increase the risk of mutation, just breeding with yourself all the time.
For the record, there would likely still be "sex" and "sexual behavior." Cause sex is very social, not just procreative. Obviously. But I thought I'd reiterate that. I've been reading too much from the wingnuts about how sex is all about procreation, which gets more and more ridiculous the more I hear it. If that was so... oh, nevermind. I've already ranted about that.
It's more that we want to know--what would people be like if there weren't two genders? Would we all suddenly lapse into a "true" version of ourselves once the idea of "man" or "woman" was stripped completely away?
The key phrasing, I think is "idea". Man and Woman are ideas that include both biological and social roles/functions. Women have gone around dressing and acting like men while still retaining their uteruses, and people treated them "like men." Were they men? Men go around dressing up like women and may even be called "she" by most people. Are they men, or women? What does that word mean? If we're using strict biology, we get into trouble again, cause are we talking about visible or working penises making the difference between men and women? Are barren women men? If women don't bear children, are they men? Can we call everybody a "man" until "he" bears a child? Why not? Why not call everybody "girl" until puberty? What's the point at which a penis is too small for a man to be a "real" man? (don't laugh. Hemaphrodites are still assigned sex based on how "big" the penis/clitoris appears to be, and whether or not it will be able to function for penetration, as we're still really stuck in the idea of sex=penile/vaginal penetration/engulfment, whatever).
So, if there were only uteruses and no penises, would sex roles disappear?
Or, being such wonderful social animals who love little boxes, would we just create new ones? Perhaps based on something else this time. The breadth of a woman's shoulders, her height, the color of her eyes, her hair. Maybe women who had higher testoserone levels and more body hair than average would be considered a gender all on their own, and anybody who wanted to be that gender would spend all their time and money trying to get bigger and taller and grow their hair out really long and buy questionable tonics to increase the amount of body hair they had.
Would we go around with four or five genders with their own social roles? Women with uteruses still have varying hormone levels, so you'd still get a range of butch/fem and all-the-gray-inbetween. As an aside: I do think that some of the posturing is a nature thing - I've always been able to sympathize with transvestites because I tried to imagine a world in which I wasn't allowed to wear pants and had to dress fem all the time, and I found the idea terrifying. I have a deep and abiding fear of the 50s. Dress me up too fem and I feel like I'm in drag. I've never felt so uncomfortable as I did going with a boyfriend to his junior prom and mincing around in a terribly expensive white poofy dress and heels and elaborate underwear and stockings and a mask of cosmetics. He in his tux, me in my poofy fairytale dress, he found the idea of the theatre terribly engaging. I tried very hard to respond in kind, but I felt big and awkward and uncomfortable, though I couldn't figure out why, at the time.
I spent most of the prom hiding in the bathroom staring at myself in the mirror, and watching other girls fluttering around, thinking, "This is the way I'm supposed to look. Don't I clean up well? So what the hell's wrong with me? Why do I feel so weak and awkward and out-of-control?"
Hiding in the bathroom, I later learned, humiliated my date, who caught me and berated me as soon as I came out, "You left me out here with Joshua," he said, naming one of the dorkier guys in our friends' groups, a guy who'd asked me out at one point, and who I'd turned down because, well, he was boring. "You know how much I look like a loser, standing out here with him?"
My date then proceeded to go around showing me off to all of his friends, a bit like a prize heifer. It was one of those, "See! I have a girlfriend!" shows that I thought was mildly cute but troubling at the time, and looking back, I understand why it troubled me, and I'm pissed at myself for not allowing myself to be more troubled.
I spent a lot of time trying not to be troubled by things that bugged me. Among them, the fact that I'm really not comfortable with pointy shoes and makeup... and yet, I'm still mostly straight. How does that happen?
Well. It's called being human.
There's not a binary. And certainly not a strict sex/gender correlation. You can talk in averages and maybes, but not absolutes.
Why is it that in most versions of this intellectual exercise-cum-fantasy that men are the sex that suddenly disappears? I doubt it has much to do with the genetics of the X and Y chromosomes. My guess is that since the great bulk of the day-to-day work of exaggerating the differences between the sexes falls on the shoulders of women, then it's just natural... Since we do the work of being a Gender, we are the ones who have a vested interest in the idea of a world without gender, which means that the standard we strive not to be like would be what disappears.
Women are really interested in worlds without men because they want to know if women would beat up on each other as much as men beat up on women. I'm cynical, and I tend to think that yes, the stronger will beat up on the weaker, for one reason or another, once you amass a society that has to fight for resources (Leguin's The Dispossessed is an interesting what-if experiment that argues that scarcity of resources would actually aid in the continuation of an anarchic/communist society). Lots of people who've written female utopias/dystopias disagree with me. You don't often see utopia/dystopia fiction full of men because... well, I think men freak out reading about all-male utopias because of deep fears of homophobia. You don't get male utopias that don't include women (the only one I've seen is Bujold's Ethan of Athos, which is a Bujold-written-book [lackluster prose - NBL, Lois!], but really neat on ideas). In fact, male utopias would likely include harems and harems of fake women. Or, like the misogynistic slugfest of S&M, the Gor novels, they posit worlds where women get "put in their place" (author John Norman's Gor books argue that the natural condition of women is slavery. Seriously. It's got a "liberated" 1970s feminist transported to the slaveworld of Gor, where she's enlightened about what her natural condition really is, and she learns to like it. Really classic stuff).
What I always found depressing about most female utopias/dystopias is that the women always "lose." That is, the men tend to come in and change everything, or threaten to change everything (even Russ is guilty of this), as if there's a "natural" status quo when it comes to relations between the sexes.
And I don't buy that. I don't think most of the women making all-female societies believe that either, but we all bring the biases we've been raised with into our fiction. There's an astounding amount of misogyny that shows up in some of my stuff.
Anyway, I think the ideas above about how it's put on women's shoulders to be really different from men to create gender interesting, but it also forgets the big social push for men regarding masculinity, and what it is to be a "real man." You're far more likely to hear a boy being berated for "acting like a girl" than you will a girl for "acting like a boy." I think men are made men by being encouraged to be "not-women." Which is why the areas with the most rampant sexism are warfare and sports. These are the activities that have made "men" men since before we had skyscrapers, and suits and glass ceilings.
What I find most interesting about the latter, the "not-women" conception of masculinity, is the fact that, biologically, all eggs start out as female. And the groove that becomes the labia major sometimes doesn't fuse in men, meaning you start out being formed female, and the Y sends out signals to alter that (I'm going to be jumping up and down about this one for awhile, because I just finished reading Mutants: On Genetic Variety and the Human Body, and I learned all sorts of really fascinating stuff about the forming of biologic sex, which is just as iffy as I'd always thought). And women bear babies. You need a uterus to do that. Taking men out of the equation would be easier than taking out "women" - if you define a woman as a person who has a uterus.
So I think the tendency to think up worlds without men, in terms of biology, has more to do with interests in the very small biological difference between men and women - the sex determiner on the Y gene. So, what would be the easiest thing, biologically speaking, to get rid of and still have a human being?
The Y chromosome.
Without two sexes, there would be no humanity; it's like asking what we would be like without language or opposable thumbs or something else that makes us human.
I just about choked when I read this one. I'm coming at this from a biased perspective, of course: I write social science fiction, that is, I concentrate on making societies with fluid sex and sexual characteristics. I've written about neuter and hemophroditic societies. I've postulated worlds of women with several different genders, and being a writer of such, I've also read a ton of other writers who've worked with these ideas.
You could have eight sexes and still have humanity. Sure, it wouldn't be the one we see now (which is the allure of these thought-experiments - trying to figure out what would be really different), but it'd be humanity. A lot of my interest in writing SF/F is to find out what "humanity" still has once you strip everything else away. Change the gender roles, get rid of the gender, give them crazy settings, some organic tech, wars that never end, and what do you have left?
Well, you have what makes us human.
And I don't think what makes us human is the fact that we have two sexes.
We have to work with what we got. The inequality between the sexes isn't the natural consequence of the male/female binary, so intellectual exercises getting rid of it are limited in value. Oppression is what it is, and needs to be dealt with as is, and not as the consequence of the accident that "it takes two".
I do agree that feminists and progressives working toward a different (hopefully, better) society do need to work with what we/they've got. And that's two "pretend" sexes. And lots of pretend "races" and all the social bullshit that we've built up around differences in biology that are in fact so small as to be thought insignificant or dying out at the chromosomal level.
But I also think that examining the "what if"s give us a better understanding of the similarities among us. "What if" can shine a spotlight on some of our more absurd assumptions about what "really" makes somebody a "person," or a "man" or a "woman." If you can't get yourself to think about how things can be different, you could get caught in the trap of "well, it's always been this way. It will always be this way. There's no other way."
The reason I'm involved in writing what I write, and reading what I read, is because I see SF/F as having the possibility to show us something other than what we've got, to allow us to imagine a different society. If you can't dream it, how can you do it?
I'm reminded of a website my buddy Jenn forwarded to me a week or two before the election. Despite being all rah-rah hopeful for a Kerry win, I think that most of us, deep down, were having trouble imagining Bush allowing himself to lose. Jenn sent me a site called "Visualize Winning." It shows Kerry/Edwards winning, Kerry being inaugurated, Osama captured, the budget being balanced, and soldiers coming home.
The sad thing was that until then, I really didn't have any kind of conception of what a Kerry win would look like. I just couldn't visualize it.
Which may have been the problem.
So, all this hypothesizing, and dinking around with biology, and playing with the Y chromosome and thinking about societies where genders and sexes are different isn't counterproductive. In fact, it's what battling for a different society is all about.
If you can't even imagine a different place, how can you work toward getting there?