Job Offer

Well, my old boss back in Chicago pulled through and made me a job offer. I asked for 45K and a 5K moving bonus. I received a job offer letter for 43K and a 4K moving bonus and a 30-day "free stay" at the company residential "service center" place.

Medical starts right away. 3 weeks vacation after the first year. They'll be operating near my old office (not in Palatine), and I've got a title, "Leasing Specialist" which I assume I'll be trained on how to do, cause I don't do leasing.

But anyway.

Sounds lovely, doesn't it?

The catch?

The catch is, they want me to start on Monday.

This means putting as much stuff as possible into boxes between now and Sunday, buying an overpriced plane ticket ($700), spending the week "working" back in Chicago, then spending the weekend in Chicago finding a place, then flying back to Dayton the next weekend and paying movers to move my stuff to said place.

And working for my old boss. Who, yes, I do love. But the work is hard, and life-consuming. These guys get eaten up by this industry. And I'd be doing it again.

But it's 43K plus health insurance.

If I had money or a job here, I'd say no.

Going to sit down and talk with Ian and Steph about it tonight and decide what I want to do.

Insulin Calculator

Put this Insulin Calculator (scroll to the bottom) at the top of the list of things I wished I'd been made aware of when I first got diagnosed.

It probably took me about 6 months to figure out the exact same conversation rate (base sugar number, plus amount of carbs you want to eat = take X amount of insulin).

It's a neat little pop-up window calculator, but Jenn rigged a spreadsheet for me that does the same thing. Just wish I would have had this a little sooner...

Collecting the Set

I have an interview with my fourth Dayton temp agency tomorrow.

Four.

I'm curious as to how many more there actually are in this city. I suppose I may as well collect the set.

The Anonymity of the Internets (or lack thereof)

But even women who don't put their pictures or real names online are subject to virtual harassment. A recent study showed that when the gender of an online username appears female, they are 25 times more likely to experience harassment. The study, conducted by the University of Maryland, found that female user-names averaged 163 threatening and/or sexually explicit messages a day.

Sugar Acrobatics

I've been having some issues with my sugar since I got back from Spain, so I've been running numbers like this

(as a refresher: a normal person has a fasting glucose of about 80. I need to stay under 150. Over 200, you do permanent damage. I record three times a day: before breakfast, lunch, and dinner. I test more than that, but generally, these are the only ones I record):

185 - bad
91
91

142 - OK
122
82

125
70
70

148 - OK
99
157 - OK

119
177 - bad
108

These aren't horrible numbers, but I've only been able to make them by adjusting my insulin in the middle of the night. When I test at night because I've woken up for some reason - usually because my feet are bothering me (poor circulation caused by high sugar) or I have to pee (also caused by high sugar).

So at night, instead of running around 100 - which is what I test at before bed, my sugar has been climbing by nearly a hundred points at night while I sleep. So I'll test at 185/200/175 around midnight/three am (no, unless I wake up because of some discomfort, I don't generally test in the middle of the night)

Ideally, I'd like to get these sorts of numbers from a few weeks ago, which I was achieving *without* this odd midnight adjustmentof 4-5 units:

96
88
99

144 - OK
157 - OK
68

95
126
97

118
116
68

153 - OK
105
98

Of course, looking at the actual differences between those numbers now, side by side, I realize I'm being kind of anal about the whole thing.

But you know, high numbers in the middle of the night (which I generally don't record, so they don't show up in this comparison) make me feel like shit the next morning.

This particular morning, I blame the two pieces of pizza I had last night, but you know, after covering for said pizza and going to bed 4 hours after eating with a 75 number only to wake up at 3:30 am with a 207 is just *weird.*

Bodies are *weird.*

Infidel

I've spent the last couple of days devouring Ayaan Hirsi Ali's Infidel. It's been a long time since I devoured a book with this kind of desperate hunger, and I think my compulsion to lock myself in my room in order to finish the book surprised even me.

Hirsi Ali is the Somalian-born former Muslim woman turned atheist, women's activist, and member of Dutch Parliament. She is best known as the woman who wrote Submission, the short film that criticises the Quran's pronouncements about women and the carrying out of those prescriptions toward women in Islam. In answer, there were protests and riots throughout Holland, and director Theo Van Gogh was stabbed shot, stabbed 28 times and had his throat cut in broad daylight in front of 30 witnesses by a Muslim fundamentalist. A death threat to Hirsi Ali was pinned to Van Gogh's chest. She's been living under high security ever since, and currently lives in the US.

I'd first read about Hirsi Ali when I was in South Africa, and I remember feeling uncomfortable about what she was said to believe in an NYT piece about her rise to Parliament. Hirsi Ali - first and foremost an advocate of Muslim women's rights - believes that in order for Muslim women to become truly emancipated, there's going to need to be a revolution within Islam. She calls it an Enlightenment: a concerted study of the Quran not as the Holy Absolute Word of God but as a text written by human beings, and therefore a text open to interpretation. One of the reasons her film was seen as so obscene was because words of such incredible holiness - the words of the Quran - were written on objects of such incredible baseness - women.

What she wants Muslims to do is, roughly, what Christians have had to do in order to reconcile the words and prescriptions of their faith in the Old and New Testament with modern ideas about freedom of expression, women's rights, the rights of children, incest laws, corporal punishment, and etc.

Though "an eye for an eye" is still set down in the Old Testament and having sex with your father and marrying multiple wives and bloody stonings and chopping people were seen as OK in the text, most Christians like the idea of following the far less bloody New Testament teachings of Jesus: the he who casts the first stone school.

When most Christians describe their faith, they call it a faith of peace, of love. Hirsi Ali argues that when Muslims call Islam a religion of peace, they're flat wrong, because according to their faith, the Quran is holy and absolutely right, and if that's true, it advocates the beating of women, flogging in the streets, hands getting chopped off for stealing, and above all - the slaughtering of anyone who doesn't believe as you do. A number of fundamentalist Christians who insist that the Bible is the absolute word of God can get themselves stuck in the same line of reasoning. She insists it's a package deal, and until Muslims deal with this and come out and say, "Well, really, we understand that we're interpreting the book and we're not to take it literally because these were the ideas set down for the bloody, brutal world the prophet lived in a thousand years ago," then they can't pretend it's a religion that preaches peace.

This is, among other things, why Hirsi Ali is such a controversial figure. The liberal hippie in me was appalled at the idea of telling people how they had to observe their religion. Afterall, what about freedom of religion? That, too, is a freedom of Western society just as much - if not more so (certainly historically!)- than the equality of women. On the other hand, watching anyone justify rape, beheading, slaughter, the confinement of women, and etc. to a holy book of any kind pisses me off. Instead of opening your eyes, making observations, and coming to your own conclusions, there are people who want to swallow somebody else's ideas about the way the world should be as set down a thousand or two thousand years before.

One of the fascinating things about reading Hirsi Ali's book is watching her go down the road of working through all of the contradictions of her faith. When she first questioned the teachings of the Quran, she was told to shut up and believe; to be silent, to submit. Submission to one's husband, one's clan, one's God, was what Islam was all about. Once she escaped to the West she began to delve into these contradictions more deeply with the help of access to a broader range of thinkers, of ideas.

As a writer, one of the most moving parts of the book is when she talks about the impact reading books had on her as a teenager and young adult. They gave her windows into other worlds, into other ways of thinking, and they got her to question the way the world was. Until she was exposed to other ideas, the harsh, brutal world in which she lived, where women believed that their endurance of violence, spousal rape, and etc would put them on the path to Heaven, she believed this was simply the way things were. There was nothing else. Being exposed to other worlds, she realized things could be different. Incredibly so.

I was admittedly uncomfortable with Hirsi Ali's complete embrace of the Western world and her turn from Islam to athism, because I worry that her example is going to be "this is how all Muslim women should be!" She does make very clear, however, that she does not want or believe that her path is the right path for anyone; only the right path for her.

For better or worse, as Westerners, we love stories like this: the brutalized woman who is emancipated in a Western country; gosh yay, look how much better we are than other cultures! We get to pat ourselves on the back. But Hirsi Ali talks about many other women from similar circumstances who did not embrace the West so whole heartedly. I do get the impression that she believes it *is* possible to reconcile Islam with Western values of free speech, individual freedom, but it's going to be a long, bloody road, and she doesn't seem terribly optimistic about it.

And, to be honest, yeah, the West is loads better than anywhere else she talked about for somebody like me. I wouldn't trade places; but I do know that much of the violence in the world, particularly in former colonies, is taking place because of the shitty way things were and are being handled by Western countries. That's not to blame the despots any less, but a number of them would have had a lot less hardware if we'd stop giving it to them.

Radical Islam is very much a reaction *against* the West, and it's going to be the moderates, not the radicals, who are going to work on reconciling these ideas, according to Hirsi Ali. There are always going to be radicals - there are radical fundamentalist Christians who blow up abortion clinics, after all. Above all, though, I feel like Hirsi Ali's crusade - if you want to call it that - is to tell the truth as she sees it. She lived in a world where you didn't talk about the way things really were, how you really felt, what you really wanted. You submitted everything to the will of your parents, your clan, your God.

I trolled Google video for some interviews with her, and one of the most striking things about her is that she's actually incredibly soft-spoken. She's this little, fine-boned woman who does not raise her voice or make wild gestures. She takes her time answering questions. She doesn't let anyone rush her.

Above all, this is a powerful book, and an incredible read. How do you go from being the daughter to a Somalian revolutionary who's got three wives scattered across three countries, living in a two-room concrete block and getting beaten by your mother and cicumcised by your grandmother to becoming a member of the Dutch Parliament and living with constant security because so many people want you dead? I think what struck me so much about the story is that it wasn't that it was impossible. It was that it took courage. Huge amounts of courage. And will.

Anyone who stands up for themselves, for their right to tell the truth: it's not as if that's a physically difficult thing. Sometimes it just takes getting on a train. Buying a ticket. That first step. One foot. You just stand up. You refuse to shut up. It *sounds* so easy. And yet the guts it takes to do that - and to keep doing it, even after suffering bodily harm and being threatened with more of it as a result of your actions - that's the most incredible thing.

The New Routine

Called in available to my temp agencies and scheduled another interview for tomorrow at 10am with yet another temp agency. That'll be three agencies I'm registered with.

In the meantime, on my tax forms, I put down that my occupation was "writer."

It felt much better than writing "employed."

Anyway, more GW edits. The book's going out before Wiscon, come hell or high water.

And So

If I declare myself and business and report my writing income ($4500), then I owe $1221.

If I don't declare myself a busines and report my writing income ($4500), then I owe $421.

This probably wouldn't have happened if I'd kept all of my con reciepts.

EDIT: Final Federal taxes owed: $553

Yeah, right!

I wonder if I have anything left on any of my credit cards?

Tonight's Song, Stuck on Repeat

Nickelback: Rockstar

I'm through with standin' in line
at clubs I'll never get in
It's like the bottom of the ninth
and I'm never gonna win
this life hasn't turned out
quite the way I want it to be
(Tell me what you want)

I want a brand new house
on an episode of Cribs
And a bathroom I can play baseball in
And a king size tub big enough
for ten plus me
--(Yea, So what you need)--

I need a credit card that's got no limit
And a big black jet with a bedroom in it
Gonna join the mile high club
At thirty-seven thousand feet
--(Been there done that)--

I want a new tour bus full of old guitars
My own star on Hollywood Boulevard
Somewhere between Cher and
James Dean is fine for me
(So how you gonna do it?)

I'm gonna trade this life for fortune and fame
I'd even cut my hair and change my name

[CHORUS]
'Cause we all just wanna be big rockstars and
Live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
we'll hang out in the coolest bars
in the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blonde hair
And well...

Hey, hey, I wanna be a rockstar
Hey, hey, I wanna be a rockstar

I wanna be great like Elvis without the tassels
Hire eight body guards that love to beat up assholes
Sign a couple autographs
So I can eat my meals for free
--(I'll have the quesadilla, ha-ha,)--

I'm gonna dress my ass
with the latest fashion
Get a front door key to the Playboy mansion

Gonna date a centerfold that loves to
blow my money for me
(So how you gonna do it?)

I'm gonna trade this life
For fortune and fame
I'd even cut my hair
And change my name

'Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
we'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
in the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blonde hair
And we'll hide out in the private rooms
With the latest dictionary of
today's who's who
They'll get you anything
with that evil smile
Everybody's got a
drug dealer on speed dial, well
Hey, hey, I wanna be a rockstar

I'm gonna sing those songs
That offend the censors
Gonna pop my pills
from a Pez dispenser
Get washed-up singers writing all my songs
Lip --sync-- 'em every night so I don't get 'em wrong

Well we all just wanna be big rockstars
And live in Hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
in the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blond hair
And we'll hide out in the private rooms
With the latest dictionary of
today's who's who
They'll get you anything
with that evil smile
Everybody's got a
drug dealer on speed dial, well

Hey, hey, I wanna be a rockstar
Hey, hey, I wanna be a rockstar

What Keeps Me Up At Night

"God’s War is a 97,000 word fantasy novel of faith, blood, betrayal and submission played out in the contaminated deserts of Nasheen, a matriarchal state engaged in a centuries-old holy war with polygamous Chenja."

Hm, no, that's not right.

I typed: Polygamous.

No, that means multiple partners of either sex. What's more than one wife?

Poly something. Poly... poly... poly...

::looks it up in actual paper dictionary next to desk:::

Yes, see, that's multiple spouses, not multiple wives.

And... Polyandry. That's more than one husband.

Yum.

OK, can't get distracted.

::looks through poly- words:::

Aha. Here it is.

OK, polygyny.

P-O-L-Y-G-Y-N-Y.

That's more than one husband. Yes, says so right here. OK, so that would be:

Polygynous.

:::types::: P-O-L-Y-G-Y-N-O-U-S

Hm.

Wait.

But.

Word doesn't recognize this word.

Is this the right word?

Spell it again.

:::types::: P-O-L-Y-G-Y-N-O-U-S

Yes, it says so right here.

Why does Word recognize POLYGAMOUS but not POLYGYNOUS?

Is my dictionary on crack? (possible)

Is Word broken? (probable)

This is the exciting writing life we all dream of.

Mmmmm Query Letters

The only thing I hate drafting more than query letters are synopses.

That's going to be next.

And I just printed out GW AGAIN so I can go through ANOTHER round of line edits.

I hacked and combined several chapters during the last pass, and I need to make sure those run smoothly. I've also got pages and pages of detail notes that I'd like to go back and put into the narrative. They look like minor things: details about school, religion, the literal world building of Nyx's planet from a rock into something more or less habitable, but they're the sorts of details that make a so-so novel a memorable one.

Gee, it's like writing is actual work or something.

I hate that.

The Good German

I picked up a copy of The Good German at Heathrow, mainly because it has this winning first line: "The war had made him famous."

This is a beautifully written thriller set in Berlin just after the German surrender during WWII. The novel revolves around the murder of a nobody American soldier (in the Russian-occupied part of the city) after the "peace," and one American journalist's interest in getting the story. The reason our journalist hero has come back to Berlin, however, is to find his married lover, whom he left behind during the war.

The two stories end up connecting, of course, as they would in any good thriller, and the strength of the setting here really sold this one for me.

Even better than that, it's beautifully plotted.

One of the big things I've been working on - and reading for - is plot. It's another reason I was blazing through Stephen King novels last year. Watching somebody place their pieces and then neatly set them off like a line of dominoes is an exercise I find terribly satsifying, probably becuase it's something I find incredibly difficult to do in my own writing.

Character, setting, sure, lovely, but plot? Knowing where I'm headed before I get there? I still write plot the way I live my life: messy and disjointed and whatever feels right at the time.

I think both my life and my writing may perhaps do a bit better with some structure.

Then again, most real lives aren't so neatly plotted, and you don't get a six-page Sherlock Holmes description of events and motives at the end. How comforting fiction can be, with all those loose ends tied up so neatly...

All fiction is comfort fiction.

Why Positive Feedback Matters

In general, I'm a fan of brutal critiques. I don't need anybody pussy-footing around my ego. If I've written a shit story, I need to know it was a shit story.

The reverse of that, however, is that if I've written a good story, I need to know it was a good story.

This may come as a surprise. Afterall, if you write a brilliant story, you just know it, right? You realize your utter genius and thrust it into the mail and make tons of money and win shiny awards and sell the movie rights, right?

No, not really.

I rarely know if what I'm writing is any good. I secretly hope it is. But I rarely, if ever, know.

Sure, there have been some short stories I liked just as they were. I didn't ask for feedback because I knew I could sell them as-is. And I've sold stories I got feedback on of the "you'll never sell this as-is sort." I've also not sold stories that me and my critiquers thought were great.

That's how it goes.

But when I'm working on projects that take years, that I look at all the time, I have to have outside feedback. I need to have a handful of very different voices telling me how what I'm doing is coming across, because if I'm ridiculous, I need to know I'm ridiculous. If I'm spending years on something totally useless, I'd like somebody to tell me. I may end up disagreeing with them, but at least I'm prepared for that kind of feedback from the Big Bad World.

I like harsh, constructive, detailed critiques for the initial revision phase when I'm fixing everything that's wrong, but once I've gotten 6 or 8 or 12 months into revisions, revisions that sometimes take years, some of the best feedback to have around is the glowing shit. The "this was brilliant!" shit.

For me, this was an email I got from my buddy Julian who read the first draft of GW. He absolutely loved book, and gushed about it, and every time I felt horrible and defeated tonight, I thought about that email, and I pushed through it. Because, believe me, sitting here in Dayton, OH at midnight working on this last round of line edits, it's pretty much all I had. I've wanted to throw in the towel with this book at least half a dozen times tonight (not to mention how many times the last couple of months, particularly after some other critiques).

I keep thinking: "This book is shit! It's the worst! It's going to be horribly embarrassing! What if it IS published, and then people I know READ it, and they say, THIS IS THE WORST SHIT IN THE WORLD! And suddenly they avoid me at social functions and I have no friends and people are very polite in public but talking about my shitty book in private and OH DEAR GOD I'M GOING TO WRITE ANOTHER BOOK AND IT'S GOING TO SIT IN ANOTHER FUCKING DRAWER OH GAWD THAT'S EVEN WORSE."

These are the things that pass through my mind at midnight in Dayton, OH.

The rest of the time, I secretly believe I'm brilliant.

But man, you know, for those Long Dark Teatimes of the Soul, like tonight, line edit pass number three on a book I technically finished in September and wanted to start marketing in February, first-draft-praise-letters are fucking priceless.

I have finished my stack of line edits. I'm going to bed, rereading the whole fucking thing tomorrow, and starting work on my synopsis and query letters.

Gawd.

And Then There Were Some

Some stuff you don't often hear about being done by women.

Women Gladiators:

Wiki

Gladiatrix

Journal of Combative Sport

Women Bullfighters:

La Diosa Rubia

A Few Fighters

Marie Barcelo

Rebuilding

Today was the first time since I moved that I managed to finish the entirety of my morning weights routine. Depression, laziness, and an inadequate room set-up for working out were keeping me from bothering to do it properly. Some of it is also that I don't have a fixed time for getting up in the morning, which is a problem. I'm usually up by 9:30 am, but I'd like to be up at something more reasonable like 7 or 7:30.

A lot of the trick to being unemployed and living off the good graces of others is not to let yourself wallow - you'll end up regretting all that time you wasted once you've got a job again, so I've been making an effort to work out some kind of lay-off routine or schedule.

I've been making an effort to get in some cardio everyday, but I realized yesterday that instead of bike riding or working out on the elliptical, I was starting to get used to the idea of taking long walks instead. Sure, that's better than nothing, but it's not going to get me looking buff again. I've been feeling rather doughy. There's a boxing gym here in Dayton, but that's going to involve me having money, which will involve me being employed. So.

I have a lot of things that need to get done right now, but this week, the focus is getting GW line edits done and getting it in the mail by the end of the month. Seriously. I was supposed to have this out in February, and having a bunch of unfinished projects lying around is driving me crazy.

The good part about living in Dayton is that, you know, I haven't had to move back in with my parents yet. But I stress the "yet." The problem with Dayton is that there aren't a lot of jobs here, and you're lucky to get offered something for more than $8 an hour. As somebody who was used to making nearly $19 full time and $15 an hour as a temp, there's been some sticker shock when interviewing with temp agencies.

I can also get away with not having a car in Dayton. If I moved back home, we're talking insurance, car payment, and worst of all - gas. I can make it in Dayton on $950 a month. I'd need a lot more to make it in BG.

Right now, the plan is to stay here until I can get back on my feet, financially, or until I can get a good job offer elsewhere and afford to move out. As it is, I pretty much blew through the last of everything I had in getting here, and I have a long way to go to build things up again.

I'm nearly but not quite fucked.

And I stress the "not quite" part.

In the meantime, I'm spending my days drinking pots of coffee and getting on with Ian and Stephanie's dog. Ian's a materials scientist PhD student, so he's usually out of the house by noon at the latest, and Stephanie works as a medical receptionist, so she's out of here at godawful early hours, and I've got most of the day to myself. Most of which I spend reading and doing line edits and scraping paint off doors, as Ian and Steph have been renovating the house, and it gives me a sense of accomplishment to help out with the more mundane tasks involved in that.

As far as self-esteem goes, yeah, that's been a really fucking tough one. It's been difficult to build that back up, not to wallow in a lot of self-hatred. When you're used to being strong and capable and figuring things out and you suddenly fail, utterly, again, yeah, boy, that's pretty fucking hard. It's the way life is, sure, "Fall Down Seven Times, Get Up Eight," but that doesn't make the falling down or getting up part much easier.

Some of the miserable self-esteem stuff comes from how bad things were back in Chicago. Removing myself from that situation has helped with some of that, but you know, selling a book or having a job or succeeding at something sure as hell would help, too. Being able to afford my meds would help.

You know, every little thing helps.

But I did do some traveling last week, and that was divine. It's nice to just get away from bullshit for awhile and get to a place where you feel hopeful about the future instead of terrified. OK, there's some terror, too, but mostly, hope, and there's nothing like navigating a foreign country to get some of your self esteem back. Just because you fail at things doesn't mean you can't do anything. It just means you failed. And you have to keep trying.

It's like writing a lot of bad books. Doesn't mean they'll all be bad. Just means these ones are bad. It doesn't mean you give up. It means you learn from the last one so you can make the next one even better.

Which also sounds a lot easier than it actually is....

Today's Song, Stuck on Repeat

... while I finish the third round of GW line edits. Line edits are the worst part of the whole process for me. The big revision stuff, that's fun. The actual writing, the revising while writing, the outlining, etc. Fine, fine.

The line edits? The round after round of line edits?

Pure torture.

A Perfect Circle - The Noose

So glad to see you well
Overcome and completely silent now
With heaven's help
You cast your demons out
And not to pull your halo down
Around your neck and tug you off your cloud
But I'm more than just a little curious
How you're planning to go about
Making your amends to the dead
To the dead

Recall the deeds as if
They're all someone else's
Atrocious stories
Now you stand reborn before us all
So glad to see you well

And not to pull your halo down
Around your neck and tug you to the ground
But I'm more than just a little curious
How you're planning to go about
Making your amends to the dead
To the dead

With your halo slipping down
Your halo slipping
Your halo slipping down
Your halo slipping down

Your halo slipping down
I'm more than just a little curious
How you're planning to go about
Making your amends [repeated]

Your halo slipping down
Your halo slipping down to choke you now

News & Reviews

I moved in with my buddies Ian & Stephanie a few weeks ago, after they graciously offered to put me up rent-free until I can get my staggering credit card debt and jobless (ie temp work only, no perm position) situation all sorted out. Much of my silence has been because of moving logistics, sorting out personal relationships, and interviewing with local temp agencies, and putting back together some sort of writing schedule for the year, since the one I had is pretty much screwed.

And believe me, you wouldn't have wanted to read anything I've had to say the last few weeks, cause most of it has been boo-hoo poor me stuff. Nobody's perfect.

In the meantime, I've done some traveling, read some books, and seen some movies. And been drinking a lot of coffee.

No joke, I've been having a tough time with this transition. There are few things that make you feel more like a loser than having to move in with friends/parents because of a job layoff, sudden chronic illness (and resulting costs), and exploding personal situation, but you know, shit happens, and I've been working really hard at being OK with that whole "shit happens" thing. I mean, I didn't exactly plan on getting a chronic illness and losing my job and etc. I keep thinking I could have handled it all better, but regardless, this is how it's been handled, so I need to stop and breathe for a second and plan and pick myself up again. I'm just lucky that I've got people around who'll help me out and support me while I do that.

I mean, isn't every writer supposed to live in a friends' basement at some point? It'll sound great during the NYT interview. I'm telling you.

In any case:

I read A Long Way Gone, Memoirs of a Boy Soldier by Ishmael Beah, after seeing it several times at Starbucks, at the local bookshop, and hearing about Beah's interview on The Daily Show.

This one starts out really strong - Beah was forced into "service" as a child soldier for the government forces in Sierra Leone in the late 90s. He gives a brutal, detailed account of how he lost his family literally overnight, was captured by soldiers and forced to commit atrocities. I've read a lot of books about conflict in Africa, mainly southern Africa, but Sierra Leone was a new one for me, and Beah gave me a really clear, vivid understanding of the surreal chaos of a violent revolution and how they impact the people who live there how one day the war is something far off, something you hear about, something that will never really affect you, and the next day your entire world is torn apart. You can read all sorts of books by foreign journalists - or even local ones - and dispassionate histories, but this one came from somebody who lived there, lived through it, and hearing his voice was.... powerful. Powerful not just because he was there, but because we hear these voices so rarely. Instead, we hear about conflict 2nd and 3rd hand, from foreigners, journalists, which is certainly better than nothing, but it pales in comparison to these missing voices.

There are some great things he does here - he shows you the good with the bad. There are horrific things done here, things he does and things done to him and those around him, but there are pauses in the narrative for the good things, the human things, the small acts of kindness, the dancing, the game-playing, the snide joking among friends, and long passages that show his love of the physical landscape of the country. Yes, people do terrible things, but they are just people, like everyone else. It's one of those things that everyone says when they hear about people committing atrocities - hacking people up, the mass slaughter of millions - how could they do it? How is that possible? And in Beah's book, you see exactly how that becomes possible. You see the steps along the way, the increasing chaos, the breakdown of the communities, and you can put yourself there and say, "Would I really have reacted so differently?"

No, probably not.

The book drags a little in the middle and then wraps up really quickly with Beah's rehabilitation, some time living with his uncle and becoming a spokesperson for children at a UN conference, and then his rapid flight across the border when Sierra Leone's capital is finally overrun. We don't actually get the nitty-gritty of how he managed to get to America after crossing the border, only that one of the friends he met and kept in touch with after the UN conference in New York agreed to give him a home if he could make it across the border. Because of this, the book seems to end abruptly, and there's nothing tying it together. It simply... is.

Not long after reading this one, I watched Blood Diamond, and I recommend reading Beah's story and then watching this movie if you're at all interested in the complexities of war and revolution in Sierra Leone or even Africa in general, as the politics and players are similiar in many other countries. Blood Diamond gives you an idea of the big players in these conflicts - the international corporations, the revolutionaries, the aid workers, the mercenaries/smugglers, the civilians, pretty much everybody gets a nod here. The cast was talented enough to sort of wash over the idea that they were all sort of stand-ins for their respective groups (black local, white American journalist, white African smuggler), but they all bordered on cliche at one time or another.

Still, it was a powerful film, and after reading Beah's books, the sections about the boy soldiers rang utterly and terribly true, and it made me sit up and pay attention. The people who put this one together did a lot of work. It's good.

Some other movies:

I also finally saw the latest Bond movie, Casino Royale. I put off watching this one because, yeah, I wasn't so sure I'd like the new Bond Guy.

I was wrong.

They brought Bond back from cheese and made him cool again, and that was a neat trick. Brosnan wasn't bad, but the scripts and direction he were given were turning the Bond movies into a parody of Bond movies ("I thought Christmas only comes *once* a year" Oh lord). The women are bad and die, of course, because this is a Bond movie (but then, pretty much everyone who isn't Bond is bad and dies), but you don't watch a Bond movie expecting to get a lot of conversations between women. I do like what they're doing with M; keeping Dench as M was a great decision. She's just excellent. There was some danger of her appearing motherly toward Bond, which they could have done, but because it's Dench, I think they've managed to avoid that route. She also doesn't dress like a nun (or dress like she's pretending to be 14), which you don't see much with older women actresses, and that was cool. She has some good sparring matches with Bond, and you get enough icy coolness from her that you do wonder just what she'd do if Bond ever did piss her off enough to off him.

Somehow, this movie even made having an asthmatic, one-eyed, scarred villain something other than Bond-movie-cliche laughable.

To round out my movie watching, I also watched The Holiday, mainly because it had Jude Law and Kate Winslet. This was one of those movies that could have been really great, but as it was, just sort of... well, was. Jude Law ended up playing the best character, suprisingly, but Kate and Cameron hammed it up too much to be really sympathetic, and instead, came across as a couple of silly girls. I wasn't really rooting for either of them to have boyfriends. I wanted them to sort their lives out themselves first. I wanted them to grow up.

Kate was doing this miserable Bridget Jones routine (that can be a fun character, but I didn't believe her gumption in the end because I never saw it the whole way through, whereas when Renee Zellweger played it, I believed Bridget's transformation; I felt like Bridget did a little growing up), and Cameron was just doing LA-parody, which wasn't so much her fault - a lot of that was definately a directorial choice.

And you know, there's nothing more miserable than writers writing about writers or movie people making movies about movie people. It's a real turnoff.

A lot of what didn't work for me was also the fact that none of the pairings in the movie had actual chemistry. Cameron and Jude Law have tons of sex, and though I believed the chemistry on his end (I believed it was *acted* but I believed in the acting), she wasn't really clicking much with him, and Kate and Jack Black were just... weirdly paired. It's like you get two people together who were supposed to play the "best friend" role in other movies and then put them together as a leading copule and they still play "best friend" with each other. Which, yes, I realize was what they were going for, but generally, when two people who've played best friend to others get together and you know, get hot on each other, they do actually get hot around each other and have hot, wild sex. Insead, these two get two kisses, and they're not hot kisses at ALL. I didn't believe their connection in the least.

Jude and Kate, as brother and sister, had way more chemistry than any other pairing in the movie.

I also watched parts of Night at the Museum, but Jumanji was better, even if this movie did have Owen Wilson in it.

Overheard at a Bookstore Today in Dayton, OH

"Well, I'm looking at getting either one of these Left Behind books or this Sarah Waters book."

IDOL

NOOOOOOOOOOOOOOOOOOOOOOoooooooooooooooooooooOOOOOOOOOOOOoooooooooooooo!

If You Could Balance a Flip Phone on Your Nose Would You Use it to Save the World?

Zeroes.